Color and Sound by HCK
The HCK team has color graded hundreds of documentaries, features, and broadcast television programs over the past 30 years. We’ve been fortunate to have collaborated with filmmakers and television producers on numerous Academy, Emmy, Sundance, Tribeca, Cannes, Peabody, Tony, and Grammy award-winning and nominated films and programs.
Workflows Conversions & Conform
Our Assistant and Senior Editors will work diligently to conform your Avid, Adobe Premiere Pro, or Final Cut Pro 7 or X project. With our 30 years of experience we’ve encountered a multitude of challenges and will utilize all our expansive resources to create a solution to conform your project and prepare for color grading in DaVinci Resolve.
After our Colorist has collaborated with you to create a specialized and desired look, we will prep for online finishing in DaVinci Resolve, Avid, Premiere, or Final Cut Pro for titling, audio layback, review, and final mastering to your required file or tape deliverables.
We deliver all file and tape formats, including IMF, J2K, DCP, Cinedeck, APR 444 & 422, Avid DnX HD, MXF, XDCam, all compressed file formats, HDCam SR, HDCam, DVC Pro HD, Blu-ray, all SD formats, archive to LTO, RDX, and The Cloud, and utilize accelerated file based solutions such as; Aspera, Signiant, Sohonet, and WeTransfer.
Our Sound Finishing division is equipped with the First Dolby Atmos Certified HE Studio in New York City for 7.1.4 Sound Design & Mixing, one Studio for Mixing in 5.1 Surround, and a Voiceover Recording Booth for both wild line recording and recording to picture.
HCK is housed within a 60,000 sq. ft. post production collaborative that offers turn-key offline edit suites and production space equipped with State-of-the-art, customized edit systems.